Once upon a time, I ran a short course called “The Portfolio Booster”. You know the kind of thing – 5 weeks, different models, different themes/genres, different lighting etc. Well, it was very successful. So then came “Portfolio Booster II”, yet more different models etc. Again very successful. Then came “Portfolio Booster III”. However, my little studio was a bit limiting when it came to providing the widest range of possibilities for the shoots, so there was no “Portfolio Booster III”.
But now that my base is Strangetown Studio, with the whole of the wonderfully industrial Telsen building to play with, I’ve decided to run a “Strangetown Booster“. Similar aims as before – 3 hours, 3 (very different) models, mixture of lighting and environments and bags of creative possibilities. I have a feeling this is not going to be the last…
The shoots we’ve done so far at Strangetown Studio have proved what a versatile and inspiring space the studio (and the Telsen building as a whole) can be. On Wednesday 28th June, we’ll once again be putting it to the test when the gorgeous Helen Gibson is the model for our first female “studio evening”.
I’ve been looking forward to this for a while. Helen is one of those models that I’ve been dying to work with and this is a great excuse. There are still spaces if you’d like to join us…
Images below courtesy of Joby Rawlins (left), plus two other photographers (name not supplied by Helen).
For the past few years, once the worst of the frost has gone and our week of British summertime looked like it might be imminent, I’ve organised a “Nude In The Landscape” workshop at my friend’s beautiful riverside smallholding in rural Warwickshire. Even the rain hasn’t been able to spoil these lovely art nude photo-shoots.
And I’ve done it again. This year’s event takes place on Sunday 25th June starting at 10:30am and I’m delighted to announce that the model on this occasion will be the stunning Cally, a wonderful model who has previously featured in other location art nude events for me.
Here are a couple of images from the last event featuring the superb Rosa Brighid to give you an idea of the setting…
There are some shoot ideas that just hang around in your head for years and then one day, the opportunity arises to make them a reality. Such was the case with the forthcoming FOTO-CLUB “Gypsy Caravan Shoot With Ivory Flame“. Ever since I first worked with the wonderful Ivory Flame a few years ago, I’ve thought “Wouldn’t it be wonderful to do a gypsy-themed shoot with Ivory Flame and a traditional horse-drawn gypsy caravan…”.
And then, as if by magic, when looking around the beautiful house and gardens that were to be used for the “Luxury House Fashion Shoot” a few months back, there, at the end of the huge garden… was an original, authentic gypsy caravan. Suddenly it fell into place and I quickly asked the owner if it would be possible to use it for a shoot.
There was only ever one model I wanted for this. Ivory Flame. The epitome of ethereal and natural “English Rose” beauty with a bucket of Pre-Raphaelite influence and a hint of Celt thrown in.
I look forward to posting the images here soon, but there are still spaces if you’d like to join us. The venue’s address will be revealed once you’ve booked but it is near Lapworth, Solihull.
Once in a while, you discover a shoot location that simply demands a certain theme. When I first heard about, and saw photographs of, a “lost chapel” in woodland near the nearby border with Shropshire, I knew I had to find it and see if was as amazing as it looked. It was.
But it wasn’t easy to find – the student who told me about it had failed to find it on the first attempt and it was only due to a slight detour and a warning about what to expect, that helped me to find it on my first expedition. I walked for 30-40 minutes uphill through beautiful countryside before having to wade through brambles and tree branches to actually reach the building. Once there, though, it was clear that this was a very special place and I decided that, as I had imagined, it was the perfect place for a “fairytale” themed workshop/shoot.
The model I had in mind (who was local, and had the look I had in mind) dropped out with just a few days notice so I turned to the most versatile model I know – Emilie Walt (who you’ll spot in various guises in previous posts). Emilie lives some distance away and public transport to our location early on a Sunday morning was non-existent so I arranged to drive her there. As usual, Emilie went above and beyond what would normally be expected of a model, making her own hooded cape and bringing along other suitable props.
Even though I’d been to the location before, it still wasn’t easy to locate when I arrived with the group on the Sunday morning (there was much more foliage and even taller brambles, for a start). But we were rewarded with an excellent shoot and far too many images to post here.
Thanks, as ever, to the brilliant Emilie.