Another shoot from almost a year ago (August 2019 in fact – where did that year go?). Jess is a fabulous model I’ve worked with a few times and she returned for a workshop event at Strangetown Studio on a warm but windy summer’s day.
I think I first met Jess when she was modelling for a fashion designer and her fashion experience is very evident here, I think. But she’s much more than a fashion model – with that face, hair and figure, she could do pretty much anything! An absolute joy to photograph, as I hope these images convey.
Since coronageddon kicked off, and my usual photography bookings became rarer than truths from a government adviser, I’ve been filling my time with lots of online tutorials, walks, trying new recipes, and roughly 40% of the time, looking after my 13 year-old daughter – which largely involves making sure she gets on with her allotted schoolwork and regularly shovelling food to within arm’s reach. In addition, it’s been nice (for us both) to introduce her to some new creative activities such as music recording, digital art and editing photographs using Lightroom.
I confess there may be a longer term dream that she’ll one day take over the editing side of my photography business (when she’s not at university or becoming a massive success in whatever “proper” career direction she chooses) while I do the bit I enjoy most – taking pictures. Editing, to me, is a means to an end. Unlike many other photographers, I really don’t enjoy the editing process. However, predictably, my daughter has taken to Lightroom like a duck to water and within an hour of my initial guidance, was using functions that I rarely if ever use myself.
And so here are a few of my photographs as edited on Lightroom by “my young apprentice”. She chose to work on these images from a “Urban Ballet” themed shoot at my Strangetown Studio featuring the wonderful Emilie Walt. Not necessarily how I’d have done them – but that’s the whole point. I’m rather chuffed with her results…
If you’ve known me for a while, or have been reading this here page for a year or two, you’ll probably know that until the beginning of 2018, a sizeable chunk of my business over the years was in teaching photography at a variety of locations including MAC (Midlands Arts Centre), Stratford College, my own studio (obviously) – and Birmingham Botanical Gardens (for around 14 years).
I stopped the teaching side of things, and even the successful photography club I ran, to concentrate on the practical side of photography at a time when it seemed everyone (including people who had little more experience than one of my own courses) were teaching courses of their own.
When I finished teaching at Birmingham Botanical Gardens, my courses were taken over by my friend and former student, David Tunney who has clearly been doing a great job for them. Sadly, David became ill in 2019 and I was asked to return to the BBG to cover his Autumn Term classes until he was well enough to return. I agreed to do this and quickly remembered how much I enjoyed delivering these courses. As David wasn’t quite well enough to return for the Spring Term, I agreed to stay on to cover those classes too.
And so I am now not only looking forward to what should be my “definitely final” term at the BBG, but I’ve also decided to continue to run a few one-off workshops at my studio (Strangetown Studio). Until now these have been available mainly to my former FOTO-CLUB members via our closed Facebook group but I will be posting some additional events on the Strangetown website and Facebook page by this weekend.
If you’d like to be added to my brand new mailing list, please get in touch! (Events so far have often sold out within a couple of days).
A recent group shoot at Strangetown Studio with the wonderful Rose Beaman.
One of the joys of this job is that occasionally I am able to “discover” potential new models. I met Shannon in December 2018 when we were working together at Birmingham’s NEC and it was apparent to me that Shannon had the looks, attitude and personality to be an excellent model if that that was something that interested her. We worked together again at the end of 2019 and, after other colleagues had also told her she should give modelling a try, Shannon and I discussed her coming in for a shoot at my (Strangetown) studio in the new year.
Although the eventual shoot lasted only around an hour, I was extremely pleased with the results – Shannon is a dream to work with. She has expressed an interest in doing more modelling and until she sets up profiles on the usual UK modelling sites, I would be happy for photographers to contact me and I’ll put you in touch.
Shannon is based in Wolverhampton but also has links to Kent.
Sometimes, others’ loss is your gain. On this occasion, I’d booked lovely model Elena to pose for a short, fairly casual, studio lighting demonstration for two clients but despite having paid in advance, they failed to turn up. This meant that Elena and I could either call it a day and go home or make the most of the opportunity for a quick shoot in my studio and around the building. We went for the latter option and I was chuffed with some of the results. It was a cold wintry evening and I was in the mood for some noirish filmic images. Good job I took my camera!
The FOTO-CLUB “Urban Ballet” shoot seems to have become something of an annual institution and happily, this year we’re continuing the tradition. However, we finally have our OWN perfect venue for this shoot – the new Strangetown studio and the many stairwells and corridors around the Telsen building.
As usual, the main dancer/model is the wonderful Emilie Walt, my “go to” model for dance-themed shoots, and Penny (a friend of Emilie’s). There are still a couple of spaces so get in touch if you fancy joining us.