Another shoot from almost a year ago (August 2019 in fact – where did that year go?). Jess is a fabulous model I’ve worked with a few times and she returned for a workshop event at Strangetown Studio on a warm but windy summer’s day.
I think I first met Jess when she was modelling for a fashion designer and her fashion experience is very evident here, I think. But she’s much more than a fashion model – with that face, hair and figure, she could do pretty much anything! An absolute joy to photograph, as I hope these images convey.
Since coronageddon kicked off, and my usual photography bookings became rarer than truths from a government adviser, I’ve been filling my time with lots of online tutorials, walks, trying new recipes, and roughly 40% of the time, looking after my 13 year-old daughter – which largely involves making sure she gets on with her allotted schoolwork and regularly shovelling food to within arm’s reach. In addition, it’s been nice (for us both) to introduce her to some new creative activities such as music recording, digital art and editing photographs using Lightroom.
I confess there may be a longer term dream that she’ll one day take over the editing side of my photography business (when she’s not at university or becoming a massive success in whatever “proper” career direction she chooses) while I do the bit I enjoy most – taking pictures. Editing, to me, is a means to an end. Unlike many other photographers, I really don’t enjoy the editing process. However, predictably, my daughter has taken to Lightroom like a duck to water and within an hour of my initial guidance, was using functions that I rarely if ever use myself.
And so here are a few of my photographs as edited on Lightroom by “my young apprentice”. She chose to work on these images from a “Urban Ballet” themed shoot at my Strangetown Studio featuring the wonderful Emilie Walt. Not necessarily how I’d have done them – but that’s the whole point. I’m rather chuffed with her results…
I’m actually embarrassed at how long it’s taken me to finish and publish these images of Ivory Flame‘s gypsy caravan-themed shoot (we’re talking YEARS). In my defence, I’d already worked my way through editing the 700 or so images from this very inspiring and productive shoot when my laptop conked out and all of my Lightroom work-in-progress was lost.
And then, predictably, I got absorbed in other, current work and never got around to starting again with this shoot. It’s taken a global pandemic, social isolation and the disappearance of all work engagements to give me the opportunity to dip back into these images and start again on the editing. Silver linings, eh?
In a way, I’m rather glad to be attacking these images now because I’ve been developing a collection of painterly Lightroom presets that I think work beautifully with Ivory Flame’s wonderfully ephemeral and Pre-Raphaelite style.
As if Ivory Flame, an amazing authentic gypsy caravan, and a ruined cottage wasn’t enough to inspire heaps of photographs, Gillian’s horses came over to get in on the action…
And here’s a final selection from the hundreds of shots (that I’d be more than happy to share if there were time).
I’ll no doubt be raiding my dusty hard drives for more previously unpublished stuff during the zombie apocalypse. But for now, huge thanks again to the stunning Holly (Ivory Flame), Gillian (for the caravan and wonderful hospitality) and my little group of togs who made the whole thing feasible.
One advantage of the enforced isolation we now find ourselves in is having time to do things we’ve perhaps been meaning to do for a long time. For example, I’ve been able to delve into my deepest darkest archives and find whole shoots that for one reason or another, I never got around to editing.
What I’m going to share today, are images from a shoot I organised FOUR years ago featuring the truly unique Ivory Flame and with a “gypsy” theme (that she does so well).
The other star of this shoot, and the inspiration for the whole idea, is a genuine antique “gypsy caravan” that is owned by my good friend, Gillian, an award-winning designer. When Gillian showed me the caravan, which is at the bottom of her beautiful country garden, the idea for the shoot (including choice of model) instantly popped into my head.
What may not be immediately apparent from the images is that this was early spring and was blimming freezing! It was also spotting with rain and a cold spring wind was blowing through the garden, but Ivory Flame is a consummate professional and soldiered on regardless.
That’s all for now. I’ll post a few more soon.
Modelling for this week’s “Getting Started In The Studio: Flash“workshop was the lovely Kidderminster-based model Ellie England. It so happens that Ellie’s dad is one of my oldest and best friends so I’ve know Ellie since she was a baby – way before she was one of the country’s brightest new athletics hopefuls, much less an up-and-coming model. Sadly, a period of ill health meant that Ellie is no longer competing in athletics but thankfully, she is back to modelling.
Before Monday’s workshop began, we were able to get a few minutes to grab some studio shots, some of which Ellie needed for an agency application. Ellie is such a wonderfully bubbly personality with a very professional outlook. She is on Instagram and some of the modelling sites (click here for her Purpleport profile).
These were very hurried shots but I hope to bring Ellie back into the studio soon.
I can’t believe I’ve just got around to editing the images from this shoot with the wonderful Holly Alexander at Strangetown Studio from August 2019! But editing images from late summer, with some lovely afternoon sunshine, is exactly what’s needed on a day when my home town is facing yet more floods.
This was a really enjoyable grouo shoot in which we were able to utilise not only the studio (and its lighting) but also the corridors and lifts within the studio building and the streets nearby.
And here’s our merry little group on the day (excluding me, as I’m taking the photograph)…
If you’ve known me for a while, or have been reading this here page for a year or two, you’ll probably know that until the beginning of 2018, a sizeable chunk of my business over the years was in teaching photography at a variety of locations including MAC (Midlands Arts Centre), Stratford College, my own studio (obviously) – and Birmingham Botanical Gardens (for around 14 years).
I stopped the teaching side of things, and even the successful photography club I ran, to concentrate on the practical side of photography at a time when it seemed everyone (including people who had little more experience than one of my own courses) were teaching courses of their own.
When I finished teaching at Birmingham Botanical Gardens, my courses were taken over by my friend and former student, David Tunney who has clearly been doing a great job for them. Sadly, David became ill in 2019 and I was asked to return to the BBG to cover his Autumn Term classes until he was well enough to return. I agreed to do this and quickly remembered how much I enjoyed delivering these courses. As David wasn’t quite well enough to return for the Spring Term, I agreed to stay on to cover those classes too.
And so I am now not only looking forward to what should be my “definitely final” term at the BBG, but I’ve also decided to continue to run a few one-off workshops at my studio (Strangetown Studio). Until now these have been available mainly to my former FOTO-CLUB members via our closed Facebook group but I will be posting some additional events on the Strangetown website and Facebook page by this weekend.
If you’d like to be added to my brand new mailing list, please get in touch! (Events so far have often sold out within a couple of days).
A recent group shoot at Strangetown Studio with the wonderful Rose Beaman.
One of the joys of this job is that occasionally I am able to “discover” potential new models. I met Shannon in December 2018 when we were working together at Birmingham’s NEC and it was apparent to me that Shannon had the looks, attitude and personality to be an excellent model if that that was something that interested her. We worked together again at the end of 2019 and, after other colleagues had also told her she should give modelling a try, Shannon and I discussed her coming in for a shoot at my (Strangetown) studio in the new year.
Although the eventual shoot lasted only around an hour, I was extremely pleased with the results – Shannon is a dream to work with. She has expressed an interest in doing more modelling and until she sets up profiles on the usual UK modelling sites, I would be happy for photographers to contact me and I’ll put you in touch.
Shannon is based in Wolverhampton but also has links to Kent.
Always nice to have modelling royalty at Strangetown Studio and Miss Deadly Red certainly brought a touch of colour and class to a recent workshop. I set up shoots in the studio and around our lovely building that encompassed a bit of vintage lingerie as well as some wonderful latex looks.
The difficulty when posting results from these workshops, even though I didn’t take as many shots as the attendees (too busy sorting lighting etc) is choosing which images to post – I was delighted with every single image from this shoot.
I’ll be aiming to run one workshop per month in 2020 and if you’d like to be considered for joining our little group, please get in touch. Numbers are strictly limited and so far, former FOTO-CLUB members have snapped up most or all of the places but I’m hoping to add a few more new faces too.