A Tale Of Two Brothers: Part Two

If you read my previous post, you’ll have seen Dominic, the brother of this young man – Aaron. Aaron really only came along to support his (slightly more nervous) brother but proved to be extremely comfortable in front of the camera. All of these images were shot in my studio (Strangetown Studio) and in the rest of the Telsen building.

And finally, a shot of the two brothers together…

A Tale Of Two Brothers: Part One

All parents tend to think their kids are exceptionally photogenic but mostly, this is wishful thinking. However, when I was recently asked to photograph two brothers by their proud mum, I was inclined to agree that despite the inevitable teen insecurities and first-shoot-nerves, both lads were a dream to photograph. Here is “Son #1” – Dominic. I think you’ll agree that he has a real “fashiony” look and model potential.

The End Is Nigh

Shawna Leigh at Strangetown Studio, 2017

I decided a few months ago that after some 14 years of photography training, I was going to hang up my virtual board-rubber and concentrate on other aspects of my business – and perhaps some new business ideas as well. This was a very difficult and emotional decision for me but the more I considered it, the more it seemed like the right thing to do.

I began teaching photography at Birmingham Botanical Gardens as a way of earning a few extra quid while studying for my photography degree. As quite a shy person, I didn’t really relish the idea of standing in front of a group of fee-paying students and finding out I didn’t know as much about photography as I thought I did. But contrary to my expectations, I not only really enjoyed teaching, but I knew more than I thought I did, and I continued to learn with every course I taught.

Over the years, in courses and workshops at the Botanical Gardens, mac (Midlands Arts Centre), Stratford College, Solihull College, via Fotofilia and FOTO-CLUB, and at numerous private venues and institutions, I have had literally thousands of students in front of me. It has been a real pleasure and a privilege to watch absolute beginners develop into competent (and sometimes professional) photographers, some of whom I still consider friends. Our journey has taken us through at least 6 studios, too many courses and workshops to count, overseas trips, exhibitions, two successful photography clubs, numerous “copycat” “competitors”, a fair bit of frustration and a LOT of laughs.

So why would I give up something that I have grown to love? Well, there comes a time when other priorities arise, and you realise that what you’re offering is no longer achieving the level of interest that it used to and is suffering from a very crowded marketplace (so many photographers I know have begun to offer training on a more regular basis where they were previously less interested) and a growth in “peer knowledge” where groups of beginners or near beginners come together to “learn” from each other, often at little or no financial cost. Quality, it seems, can be less important than cost and increasingly, people are happy to glean bits of experience from other eager amateurs for free than have to pay the inevitable overheads/salary of full time, qualified professionals. I can understand this and believe it’s an inevitable consequence of the widespread belief that “anyone can be a photographer”.

Also, when many of your workshops rely on professionally-minded models, it can be frustrating to note a significant decline in the reliability of models, both male and female. I’ve been fortunate to have worked with some wonderful models (and non-models) over the years and there is a reason that some are invited back time and again – they can be trusted to show up when a group of paying photographers are expecting them too. Sadly, I have been let down by more and more models at the last minute – arriving up to 90 minutes late or even not at all, calling in sick or suddenly uncontactable shortly before the shoot only to pop up on social media as working elsewhere or out on the tiles. The modelling interface sites like Purpleport and Purestorm are no help in this regard – when I left appropriate feedback on one model’s profile to reflect a last minute no-show, the feedback was removed within 24 hours. It is therefore increasingly difficult to provide a supply of “new” models for workshops without that knotted-stomach feeling of wondering whether they’ll show up.

So, I’ve arranged a few last bits and pieces for FOTO-CLUB early in 2018 and then that’s it. You’ll find these here on the website. I’ll say a proper goodbye to FOTO-CLUB nearer the day but for the moment, thank you.

“Warrior” with Joel Hicks

I work with model/actor/fundraiser/photographer Joel Hicks far too rarely nowadays but he’s still my “go to” for any kind of shoot that involves sheer muscle and the ability to adapt to any role. When you organise a workshop called “Warrior“, there was only ever one model in the frame. Joel never disappoints, throwing 100% into absolutely everything he does. My group and I were rewarded with some excellent images (we think).

These images were taken using either studio flash OR the wonderful natural window-light that my studio, Strangetown, is blessed with.

Copyright David Rann 2017

Copyright David Rann 2017

Copyright David Rann 2017

Copyright David Rann 2017

Copyright David Rann 2017

Copyright David Rann 2017

Copyright David Rann 2017

Joel Hicks: “Warrior” Shoot

We really don’t do enough themed shoots based around male models. But when we do, often our first port of call is the incredible Joel Hicks. Model, photographer, actor (I’m particularly a fan of the Haribo ads that he features in), charity fundraiser, and with a CV that makes the rest of us mortals feel like slovenly under-achievers.

Joel has played the male part in a couple of our successful “Film Noir” shoots, a “Downton” themed shoot, a casino shoot, fitness/boxing shoots, and numerous lighting demos and other workshops at the studio over the years. In his last visit, he brought along just a few of his many props including swords and armour and we had great fun capturing dramatic action shots using them.

Well, on that occasion we really didn’t have long to make the most of the photographic possibilities so I’ve arranged a return visit on Thursday 22nd June with a full two and a half hours to shoot in. There are still a couple of spaces. The venue is Strangetown Studio  in Aston, Birmingham and the high ceilings there will be a bit more suitable for swinging swords around.

warrior

 

 

 

Lights, Camera, Nigel…

Although this shot was taken about a year and a half ago, I noticed that film-maker Nigel is still using a shot from this photo-shoot for his social media and promo material which is always a lovely thing to see. This is my personal favourite from the shoot and a portrait that I feel captured some of the warmth of this charming fella.

Where You Gonna Call?

It’s funny what you miss. For years, many years, I’ve included a stop-off at a public phone box on Newhall Street (Birmingham) as a part of my regular Night Photo Safari circuit. On freezing cold nights, this provided a few minutes of shelter from the icy winds for the model (if not for the photographers) – providing they had a sense of smell that wasn’t too sensitive to the distinctly “toilety” whiff inside the booth.

Imagine my horror then, when we discovered on the most recent Night Photo Safari that the phone box had been removed! (probably in the interest of public hygiene).

Farewell, oh whiffy phone box. You served me well.