Alex: The First Shoot

One from the vaults now to celebrate the welcome return of one of my external hard drives from the data recovery people (don’t ask)…

Sometimes, the first shoot with a model is enough to make you fairly certain that you’ll be working with them again. In this case, the stunning Alex Shanks came in to my (Fotofilia) studio in October 2014 to model for a simple group “Studio Roam” shoot where the whole premises were up for grabs as potential locations. Since then I’ve worked with Alex many times, from location shoots on frozen city streets to fashion shoots for one of my designer clients and she is always a delight to work with. So here are a few shots from that very first shoot:

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The Final Furlong

I’m on the final wind-down of FOTO-CLUB training courses and workshops. The last one-off workshop was a Fashion-themed workshop with the stunning Bethany Reynolds at my very own Strangetown Studio.

All that’s left now are these two 5-week courses which start at the very end of February and 1st of March. I’m happy to report that, like the final workshop, these look very likely to fill up (with only a couple of spaces remaining on each). And so after 14 years or so of these events, I’m looking forward to them… and dreading them in equal measure. The last class will be a sad day (well, evening) indeed.

But if you or someone you know fancies the first (and last) ever 5 week DSLR For Beginners or Advanced Photography course, I’d suggest that they sign up soon.

Winter Sunshine

Please forgive a bit of self-indulgent nostalgia. One of the highlights of the year, in so many ways, was the second FOTO-CLUB Spain trip. Same villa, a couple of the same models and I’m ashamed to say I haven’t posted any of these here before. Funny how being snowed-in for two days makes you pine for Spanish sunshine. Here’s the stunning Lauren, who despite insisting she was not a model, turned out to be one of the best models I’ve ever worked with…

The End Is Nigh

Shawna Leigh at Strangetown Studio, 2017

I decided a few months ago that after some 14 years of photography training, I was going to hang up my virtual board-rubber and concentrate on other aspects of my business – and perhaps some new business ideas as well. This was a very difficult and emotional decision for me but the more I considered it, the more it seemed like the right thing to do.

I began teaching photography at Birmingham Botanical Gardens as a way of earning a few extra quid while studying for my photography degree. As quite a shy person, I didn’t really relish the idea of standing in front of a group of fee-paying students and finding out I didn’t know as much about photography as I thought I did. But contrary to my expectations, I not only really enjoyed teaching, but I knew more than I thought I did, and I continued to learn with every course I taught.

Over the years, in courses and workshops at the Botanical Gardens, mac (Midlands Arts Centre), Stratford College, Solihull College, via Fotofilia and FOTO-CLUB, and at numerous private venues and institutions, I have had literally thousands of students in front of me. It has been a real pleasure and a privilege to watch absolute beginners develop into competent (and sometimes professional) photographers, some of whom I still consider friends. Our journey has taken us through at least 6 studios, too many courses and workshops to count, overseas trips, exhibitions, two successful photography clubs, numerous “copycat” “competitors”, a fair bit of frustration and a LOT of laughs.

So why would I give up something that I have grown to love? Well, there comes a time when other priorities arise, and you realise that what you’re offering is no longer achieving the level of interest that it used to and is suffering from a very crowded marketplace (so many photographers I know have begun to offer training on a more regular basis where they were previously less interested) and a growth in “peer knowledge” where groups of beginners or near beginners come together to “learn” from each other, often at little or no financial cost. Quality, it seems, can be less important than cost and increasingly, people are happy to glean bits of experience from other eager amateurs for free than have to pay the inevitable overheads/salary of full time, qualified professionals. I can understand this and believe it’s an inevitable consequence of the widespread belief that “anyone can be a photographer”.

Also, when many of your workshops rely on professionally-minded models, it can be frustrating to note a significant decline in the reliability of models, both male and female. I’ve been fortunate to have worked with some wonderful models (and non-models) over the years and there is a reason that some are invited back time and again – they can be trusted to show up when a group of paying photographers are expecting them too. Sadly, I have been let down by more and more models at the last minute – arriving up to 90 minutes late or even not at all, calling in sick or suddenly uncontactable shortly before the shoot only to pop up on social media as working elsewhere or out on the tiles. The modelling interface sites like Purpleport and Purestorm are no help in this regard – when I left appropriate feedback on one model’s profile to reflect a last minute no-show, the feedback was removed within 24 hours. It is therefore increasingly difficult to provide a supply of “new” models for workshops without that knotted-stomach feeling of wondering whether they’ll show up.

So, I’ve arranged a few last bits and pieces for FOTO-CLUB early in 2018 and then that’s it. You’ll find these here on the website. I’ll say a proper goodbye to FOTO-CLUB nearer the day but for the moment, thank you.

Helen G in Strangetown

The shoots we’ve done so far at Strangetown Studio have proved what a versatile and inspiring space the studio (and the Telsen building as a whole) can be. On Wednesday 28th June, we’ll once again be putting it to the test when the gorgeous Helen Gibson is the model for our first female “studio evening”.

I’ve been looking forward to this for a while. Helen is one of those models that I’ve been dying to work with and this is a great excuse. There are still spaces if you’d like to join us…

Images below courtesy of Joby Rawlins (left), plus two other photographers (name not supplied by Helen). 

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Gypsy Caravan Shoot With Ivory Flame

There are some shoot ideas that just hang around in your head for years and then one day, the opportunity arises to make them a reality. Such was the case with the forthcoming FOTO-CLUBGypsy Caravan Shoot With Ivory Flame“. Ever since I first worked with the wonderful Ivory Flame a few years ago, I’ve thought “Wouldn’t it be wonderful to do a gypsy-themed shoot with Ivory Flame and a traditional horse-drawn gypsy caravan…”.

And then, as if by magic, when looking around the beautiful house and gardens that were to be used for the “Luxury House Fashion Shoot” a few months back, there, at the end of the huge garden… was an original, authentic gypsy caravan. Suddenly it fell into place and I quickly asked the owner if it would be possible to use it for a shoot.

There was only ever one model I wanted for this. Ivory Flame. The epitome of ethereal and natural “English Rose” beauty with a bucket of Pre-Raphaelite influence and a hint of Celt thrown in.

I look forward to posting the images here soon, but there are still spaces if you’d like to join us. The venue’s address will be revealed once you’ve booked but it is near Lapworth, Solihull.

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“Urban Ballet” Comes Home

The FOTO-CLUBUrban Ballet” shoot seems to have become something of an annual institution and happily, this year we’re continuing the tradition. However, we finally have our OWN perfect venue for this shoot – the new Strangetown studio and the many stairwells and corridors around the Telsen building.

As usual, the main dancer/model is the wonderful Emilie Walt, my “go to” model for dance-themed shoots, and Penny (a friend of Emilie’s). There are still a couple of spaces so get in touch if you fancy joining us.

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