Holly In The Summertime

I can’t believe I’ve just got around to editing the images from this shoot with the wonderful Holly Alexander at Strangetown Studio from August 2019!  But editing images from late summer, with some lovely afternoon sunshine, is exactly what’s needed on a day when my home town is facing yet more floods.

This was a really enjoyable grouo shoot in which we were able to utilise not only the studio (and its lighting) but also the corridors and lifts within the studio building and the streets nearby.

And here’s our merry little group on the day (excluding me, as I’m taking the photograph)…

 

Back To School?

If you’ve known me for a while, or have been reading this here page for a year or two, you’ll probably know that until the beginning of 2018, a sizeable chunk of my business over the years was in teaching photography at a variety of locations including MAC (Midlands Arts Centre), Stratford College, my own studio (obviously) – and Birmingham Botanical Gardens (for around 14 years).

I stopped the teaching side of things, and even the successful photography club I ran, to concentrate on the practical side of photography at a time when it seemed everyone (including people who had little more experience than one of my own courses) were teaching courses of their own.

When I finished teaching at Birmingham Botanical Gardens, my courses were taken over by my friend and former student, David Tunney who has clearly been doing a great job for them. Sadly, David became ill in 2019 and I was asked to return to the BBG to cover his Autumn Term classes until he was well enough to return. I agreed to do this and quickly remembered how much I enjoyed delivering these courses. As David wasn’t quite well enough to return for the Spring Term, I agreed to stay on to cover those classes too.

And so I am now not only looking forward to what should be my “definitely final” term at the BBG, but I’ve also decided to continue to run a few one-off workshops at my studio (Strangetown Studio). Until now these have been available mainly to my former FOTO-CLUB members via our closed Facebook group but I will be posting some additional events on the Strangetown website and Facebook page by this weekend.

If you’d like to be added to my brand new mailing list, please get in touch! (Events so far have often sold out within a couple of days).

A recent group shoot at Strangetown Studio with the wonderful Rose Beaman.

New Blood: Old Concept

(l-r) Gia, Farrah & Porsha

I recently revived a workshop theme that I haven’t done for well over two years. In fact the problems with finding reliable models for the “New Blood” showcase events (essentially three very different models whose only similarity is that they haven’t worked on my events before) was one of the reasons I stopped doing workshops at all.

Porsha at Strangetown Studio

It’s “reassuring” to discover that nothing has changed and new models are still, on the whole, a fairly unreliable bunch. Of the three models originally booked for this event, only Porsha actually honoured her booking. The other two had to be replaced when they dropped out at quite short notice (one within the 36 hours before the shoot). Suddenly, I remembered why I stopped doing these particular workshops.

Luckily, two wonderful and very professionally-minded models, Gia and Farrah stepped in to save the day. In the end, this was a very successful workshop.  Here are just a few of the images I managed to capture in between running from group to group…

Alex: The First Shoot

One from the vaults now to celebrate the welcome return of one of my external hard drives from the data recovery people (don’t ask)…

Sometimes, the first shoot with a model is enough to make you fairly certain that you’ll be working with them again. In this case, the stunning Alex Shanks came in to my (Fotofilia) studio in October 2014 to model for a simple group “Studio Roam” shoot where the whole premises were up for grabs as potential locations. Since then I’ve worked with Alex many times, from location shoots on frozen city streets to fashion shoots for one of my designer clients and she is always a delight to work with. So here are a few shots from that very first shoot:

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The Final Furlong

I’m on the final wind-down of FOTO-CLUB training courses and workshops. The last one-off workshop was a Fashion-themed workshop with the stunning Bethany Reynolds at my very own Strangetown Studio.

All that’s left now are these two 5-week courses which start at the very end of February and 1st of March. I’m happy to report that, like the final workshop, these look very likely to fill up (with only a couple of spaces remaining on each). And so after 14 years or so of these events, I’m looking forward to them… and dreading them in equal measure. The last class will be a sad day (well, evening) indeed.

But if you or someone you know fancies the first (and last) ever 5 week DSLR For Beginners or Advanced Photography course, I’d suggest that they sign up soon.

Winter Sunshine

Please forgive a bit of self-indulgent nostalgia. One of the highlights of the year, in so many ways, was the second FOTO-CLUB Spain trip. Same villa, a couple of the same models and I’m ashamed to say I haven’t posted any of these here before. Funny how being snowed-in for two days makes you pine for Spanish sunshine. Here’s the stunning Lauren, who despite insisting she was not a model, turned out to be one of the best models I’ve ever worked with…

The End Is Nigh

Shawna Leigh at Strangetown Studio, 2017

I decided a few months ago that after some 14 years of photography training, I was going to hang up my virtual board-rubber and concentrate on other aspects of my business – and perhaps some new business ideas as well. This was a very difficult and emotional decision for me but the more I considered it, the more it seemed like the right thing to do.

I began teaching photography at Birmingham Botanical Gardens as a way of earning a few extra quid while studying for my photography degree. As quite a shy person, I didn’t really relish the idea of standing in front of a group of fee-paying students and finding out I didn’t know as much about photography as I thought I did. But contrary to my expectations, I not only really enjoyed teaching, but I knew more than I thought I did, and I continued to learn with every course I taught.

Over the years, in courses and workshops at the Botanical Gardens, mac (Midlands Arts Centre), Stratford College, Solihull College, via Fotofilia and FOTO-CLUB, and at numerous private venues and institutions, I have had literally thousands of students in front of me. It has been a real pleasure and a privilege to watch absolute beginners develop into competent (and sometimes professional) photographers, some of whom I still consider friends. Our journey has taken us through at least 6 studios, too many courses and workshops to count, overseas trips, exhibitions, two successful photography clubs, numerous “copycat” “competitors”, a fair bit of frustration and a LOT of laughs.

So why would I give up something that I have grown to love? Well, there comes a time when other priorities arise, and you realise that what you’re offering is no longer achieving the level of interest that it used to and is suffering from a very crowded marketplace (so many photographers I know have begun to offer training on a more regular basis where they were previously less interested) and a growth in “peer knowledge” where groups of beginners or near beginners come together to “learn” from each other, often at little or no financial cost. Quality, it seems, can be less important than cost and increasingly, people are happy to glean bits of experience from other eager amateurs for free than have to pay the inevitable overheads/salary of full time, qualified professionals. I can understand this and believe it’s an inevitable consequence of the widespread belief that “anyone can be a photographer”.

Also, when many of your workshops rely on professionally-minded models, it can be frustrating to note a significant decline in the reliability of models, both male and female. I’ve been fortunate to have worked with some wonderful models (and non-models) over the years and there is a reason that some are invited back time and again – they can be trusted to show up when a group of paying photographers are expecting them too. Sadly, I have been let down by more and more models at the last minute – arriving up to 90 minutes late or even not at all, calling in sick or suddenly uncontactable shortly before the shoot only to pop up on social media as working elsewhere or out on the tiles. The modelling interface sites like Purpleport and Purestorm are no help in this regard – when I left appropriate feedback on one model’s profile to reflect a last minute no-show, the feedback was removed within 24 hours. It is therefore increasingly difficult to provide a supply of “new” models for workshops without that knotted-stomach feeling of wondering whether they’ll show up.

So, I’ve arranged a few last bits and pieces for FOTO-CLUB early in 2018 and then that’s it. You’ll find these here on the website. I’ll say a proper goodbye to FOTO-CLUB nearer the day but for the moment, thank you.